![]() Schumann’s often-quoted remark about the B-flat Minor Sonata – “Chopin has simply bound together four of his most reckless children” – is taken to task by most modern critics, who feel that the work, despite its unclassical form, is a completely logical entity. In the same liner notes, Neville Cardus elaborates on the Chopin sonata as follows: ![]() But I think this idea of a final sigh or a ghostly wind over the grave is a good one. You know the story they tell – Chopin was asked if the finale was a ‘light wind over the grave’ and he said, ‘No, just gossiping between two hands.’ He was a moody man, Chopin. It’s been a good friend throughout my career. The Chopin sonata I played first in ’22 or ’23. “All these pieces have been with me a long time. In the liner notes to that recording, Thomas Frost quotes Horowitz as follows: I was introduced to Chopin’s second piano sonata in just this way, through Vladimir Horowitz’ 1962 recording for Columbia Records, which also includes works by Schumann, Rachmaninoff, and Liszt. I well remember browsing through my local record store searching for the one record (perhaps two) that insisted on going home with me, and the sense of anticipation with which I placed it on the family turntable for the first time. Long-playing, vinyl records were our primary means of discovering new music, and there was a wealth of them for us to choose from. CD’s were still twenty years in the future. In 1963, when I was beginning to explore the world of classical music, there was no internet and, obviously, no YouTube.
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